It is also not uncommon for a songwriter to sell off ALL songwriting credit-whereby someone else (not the actual songwriter) will appear as the sole songwriter. Diese Doktorarbeit vergleicht HipHop in Deutschland und in den Vereinigten Staaten und konzentriert sich dabei auf Interpretinnen, die mindestens auf zwei oder mehreren Sprachen rappen. But you dont start livin till you realize - I gotta tell ya. In the early days, guys like Dick Clark would find their names added as songwriters as a form of pay-to-play payola. God Gave Rock And Roll To You II Kiss Revenge (1992). Behind the scenes, they grumble loudly, but that's how the game is played. Songwriters and copyright holders go along with it because they want to make money. almost all of the Madonna co-writing credits are nonsense). This is VERY common, especially for artists where large sales are expected (e.g. The most insidious practice is, of course credit-for-placement, which means that if you want your song on my album, I WILL get a songwriting co-credit, like it or not. That said, if the copyright holder wants you to place the song on your album, he might well agree to listing you as a co-writer. By changing a lyric you do NOT gain partial ownership of the song. Gene/Paul/whoever could be denied any songwriting credit. The song was further popularized in 1991 when the band KISS released a remake of it titled God Gave Rock n Roll to You II. Buying/selling/giving away songwriting credits is a very old practice, though as the value of copyrights has increased, so has the frequency.
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